![]() The camera observes Jack’s actions with a neutrality that doesn’t want to make this a spectacle-just another part of his routine. It isn’t sexualized, instead filmed cinéma vérité, which makes these scenes appear as if they’re in a documentary. Hozie portrays the nuanced reality of their initial relationship in the way he films the acts of masturbation themselves. A strange grey area develops when the client-creator relationship blurs into something more than transactional. And yet, their relationship morphs into something more complex as Scarlet seems to develop feelings for Jack. She is compensated to be his dream girl-this is her job. She is a woman trying to survive by performing for Jack, while he places her on a mythical pedestal. Halfway through the film, PVT Chat switches from Jack’s perspective to Scarlet’s to show her as more than a cyber fantasy. ![]() In PVT Chat, Hozie pays respect to the labor involved in sex work, and how these jobs include performance to woo clients, through his construction of perspective. From a user perspective, there is a higher perceived level of intimacy as viewers become loyal fans of single creators when subscribing to specific people instead of patronizing larger, more nebulous porn sites. Here, sex work is a job, plain and simple, that involves providing digital pleasure with images and videos through cam sites, OnlyFans and more. Part of the complexity in this portrayal is navigating the role of sex workers in the world of online intimacy. Here, Hozie creates a complex portrayal of digital pleasure and what it means to have self-stimulated sex. What he forgets is that this relationship is purely transactional-a means to an end for Scarlet. This is what gets him off, and he becomes infatuated with the person who can make him cum. Jack masturbates as Scarlet calls him names and commands him to demean himself. His favorite is Scarlet (the phenomenal Julia Fox), a dominatrix dressed in black latex who humiliates her clients at their request. PVT Chat follows Jack (Peter Vack), an amateur online gambler with a penchant for cam girls. But Ben Hozie’s PVT Chat attempts to rewrite how audiences think about masturbation on-screen by viewing it as just another part of the human experience, particularly in a time of digital intimacy. ![]() In contrast, women masturbating is a film spectacle: Cécile de France in High Tension or Sharon Stone in Silver. It’s so often played to depict anger, weakness or deviancy. Think Jason Biggs and the cherry pie in American Pie or Kevin Spacey’s pathetic shower masturbation scene in American Beauty. Yet, the act of a man pleasuring himself is often portrayed on-screen as something shameful. Wanting to experience sexual release is a natural part of being a human. Let’s get something out of the way: Almost everyone masturbates.
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